Frontier Psychiatrist

David Byrne’s new manifesto slash memoir, How Music Works, has been written many times before. Ethnomusicologists and philosophers, from Theodor Adorno to Walter Benjamin to David Suisman, have chronicled the historical shift from classical to popular music, lamenting it, praising it, and/or evaluating the societal changes brought about by it and its corresponding technology. Byrne’s book, which illustrates the history of analog and digital recording, narrates the advent of the music industry, and claims to describe how to create a music scene or subculture offers almost nothing new. One could learn a similar amount about modern musical historical shifts through a single listen of LCD Soundsystem’s “Losing My Edge.” So what gives David Byrne the right to write?

View original post 478 more words

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s